This book explores the role of description in the interpretation of ancient Greek statuary. Although scholars have emphasized the importance of separating objective evaluation of evidence from interpretation, in practice it has proved difficult to draw this distinction. Even at the level of observation and vocabulary, the scholarship on Greek sculpture has been molded by concepts and convictions that impose particular interpretations on the material. This study examines the scholarship on a select number of well-known Greek statues from the eighteenth-century through the present. The impact of the historical, cultural, and intellectual contexts that produced this specialized scholarship is demonstrated through considerations of issues such as ethnicity, psychology, theories about artistic form, and evolving conceptions of nude and clothed figures.